Sisters of Sin, Saints of Freedom

The Ionas brothers — the provocative Greek duo behind The Callas — return with Madonnas, a playful, rebellious, and unapologetically feminist road comedy about friendship, freedom, and female pleasure on their own terms.

When Nancy (Nancy Boukli) inherits an old caravan, she and her best friend Georgina (Georgina Liossi) decide to transform it into something radical: a mobile brothel for women. Joined by a wandering drifter (Nikos Zeginoglou), they hit the open road, turning their eccentric dream into a living, laughing act of defiance.

What begins as a joke quickly evolves into a joyous feminist odyssey — a celebration of self-expression, solidarity, and shameless humor in the face of societal hypocrisy.

Madonnas has become one of the most buzzed-about Greek films of 2025 — not just for its taboo-breaking premise but for its fearless tone and fresh feminist humor.Early festival screenings describe it as “Thelma & Louise meets Dogtooth with glitter and gasoline.”

The Ionas brothers, known for their experimental music and art collective The Callas, bring their punk aesthetic and anti-establishment energy to cinema once again.At its core, Madonnas embodies a new feminist surrealism: one that’s loud, lewd, and liberating, without sacrificing heart.

In a cinematic landscape often dominated by male fantasies, Madonnas flips the script with laughter, turning rebellion into ritual and pleasure into protest.

Madonnas is not just a film — it’s a mood, a manifesto, and a middle finger wrapped in laughter.

• Radical premise: A female-run brothel for women on wheels — what could be more revolutionary in a patriarchal society?

• Empowered performances: Nancy Boukli and Georgina Liossi bring chaotic charm and unfiltered chemistry to their roles, creating a friendship that feels fiercely real.

• Anarchy with elegance: The Ionas brothers balance absurdity with poetry — every scene feels improvised yet purposeful.

• Soundtrack and style: The film pulses with indie rock energy, handmade visuals, and riot-grrrl spirit.

• Cultural rebellion: It dares to reclaim female desire as something joyful, not shameful — laughter as liberation.

This is Greek feminist cinema reimagined as a punk road trip — messy, magical, and magnificently human.

Madonnas continues Greece’s post-“Weird Wave” evolution, where surrealism meets social commentary.Like Attenberg and Apples, it uses humor to explore identity and liberation — but with a new, explicitly female lens.

The Ionas brothers lead a rising Greek trend of artistic collectives merging cinema, performance, and activism, crafting hybrid works that blend politics with pop absurdity.

Their film belongs to the emerging “feminist anarchy cinema” movement — where the fight for autonomy is filtered through humor, camp, and defiant self-expression.

A playful and irreverent feminist road movie, Madonnas unfolds in vibrant, spontaneous vignettes.

• Act I – The Inheritance: Nancy inherits an old caravan — a symbol of movement and escape. Bored and restless, she convinces Georgina to join her.

• Act II – The Idea: The duo jokingly suggests turning it into a brothel for women — a sacred, sensual space of their own. The joke becomes a plan.

• Act III – The Stranger: They meet a charming drifter who becomes their accomplice and muse. Together, they hit the road, naming their venture “Madonna.”

• Act IV – The Journey: As they travel, they encounter judgment, laughter, and unexpected freedom. What began as rebellion becomes sisterhood.

• Finale – The Celebration: In the film’s euphoric final act, the caravan becomes a symbol of creative resistance — a sanctuary of joy, music, and self-love.

Tagline: Three outlaws. One caravan. Zero apologies.

Aris and Lakis Ionas, collectively known as The Callas, are multidisciplinary artists who transform provocation into poetry.

• Punk spirit: Their direction feels like an art performance — loud, improvisational, and cathartic.

• Feminist collaboration: Although male directors, they center women’s voices and desires without objectification.

• Visual minimalism: The film’s lo-fi aesthetic reflects both creative freedom and economic reality — true to Greek indie roots.

• Musical DNA: The soundtrack, composed by The Callas, gives Madonnas its raw sonic energy.

• Rebellion as ritual: The Ionas brothers turn each scene into a small revolution — humor as a weapon, absurdity as survival.

Their artistic credo: “Freedom is the last erotic act.”

Beneath the humor and chaos, Madonnas radiates sincerity — a hymn to women reclaiming their own narratives.

• Female pleasure as power: The caravan becomes a temple of choice and self-celebration.

• Friendship over romance: Nancy and Georgina’s bond is the film’s heart — intimate, loyal, imperfect, and real.

• Laughter as resistance: The film uses comedy to dismantle shame and taboos.

• Body and space: The caravan symbolizes autonomy — a moving world where women define their boundaries.

• Freedom through absurdity: What begins as parody transforms into a poetic act of liberation.

Every frame reminds us that joy itself is political.

The power of Madonnas lies in its playfulness and courage — transforming taboo into tenderness.

• Uninhibited performances: Boukli and Liossi give fearless, vibrant portrayals of women who refuse to conform.

• Distinctive tone: Equal parts absurdist comedy and lyrical protest.

• Artistic roots: Born from The Callas’ music and performance art, the film radiates DIY authenticity.

• Feminist message: Challenges gender roles with humor instead of heaviness.

• Universal relevance: Its message — freedom through friendship — transcends its Greek setting.

It’s bold, irreverent, and profoundly alive — a love letter to the women who drive their own stories.

Madonnas has already generated early festival excitement ahead of its November 2025 Greek release, with whispers of premiere slots at Locarno and Thessaloniki.It earned one national nomination for Best Greek Independent Feature and is anticipated to become a cult feminist hit for its daring tone and infectious humor.

Critics are calling it “the first joyful Greek feminist film of the decade.”

Summary: Critics praise Madonnas for its fresh take on female rebellion — irreverent yet full of empathy.

• Cineuropa: “A delirious hymn to freedom — hilarious, heartfelt, and unapologetically feminist.”→ Applauded its energy and visual freedom.

• The Guardian (preview): “Imagine if John Waters directed Thelma & Louise in Athens.”→ Praised its bold camp sensibility and punk spirit.

• Greek Reporter: “Madonnas is messy, brave, and beautiful — a love letter to women who refuse to stay quiet.”

Summary: Audiences have embraced Madonnas as a cult favorite in the making — funny, provocative, and wildly empowering.

• Letterboxd: “Greek feminist chaos at its finest — Madonna, you pussies! is the new war cry.”

• Social media: Viewers celebrate its irreverent humor and musical vibe, calling it “a punk comedy about liberation.”

• Festival circuits: Described as “the feel-good feminist movie you didn’t know you needed.”

Its joyful rebellion is contagious — the kind that leaves you dancing, not debating.

• Theatrical Release: November 1, 2025 (Greece)

• Streaming Release: February 2026 on MUBI and Európe Film Channel

Madonnas belongs to a growing wave of female-driven European road films that mix humor, rebellion, and absurdist charm — following titles like Good Luck to You, Leo Grande and God’s Creatures.It also continues Greece’s legacy of satirical surrealism, blending social critique with aesthetic playfulness.

In a cultural moment reclaiming female sexuality and agency, Madonnas turns empowerment into entertainment.It celebrates autonomy, body positivity, and sisterhood — mocking prudish norms while transforming pleasure into a collective act of freedom.

Madonnas is a joyous revolution on wheels — a wild, witty, and wonderfully subversive ride that proves rebellion can be hilarious.The Ionas brothers deliver a feminist anthem disguised as a road comedy — one that laughs in the face of shame and toasts to desire without apology.

In a year filled with heavy dramas, Madonnas reminds us that the most radical act might just be to laugh, to love, and to live outrageously free.

The rise of punk feminist comedies reclaiming agency, sexuality, and humor in post-Weird Wave Greek cinema.

Audiences crave joyful rebellion over solemn suffering — stories where women define their own pleasure and freedom through laughter.

Films that echo the spirit of sisterhood and self-liberation.

• Attenberg (2010) – Female awakening through strangeness and dance.

• Thelma & Louise (1991) – The original outlaw sisterhood.

• Titane (2021) – Desire and identity reimagined through absurdist feminism.

• Mustang (2015) – Rebellion and girlhood under repression.

• Girlhood (2014) – Youth, freedom, and collective defiance.

• The Callas: Let’s Dance (2020) – The Ionas brothers’ earlier fusion of art, music, and feminist energy.

Each of these films, like Madonnas, turns freedom into performance and laughter into revolution.